Trailblazing Producer Knock2 Unveils Highly-Anticipated Debut LP ‘nolimit’

Ascending electronic producer Knock2 has unveiled his long-anticipated debut album, nolimit – a 17-track, genre-defying odyssey that caps off a breakout 2024 for the San Diego-native. The banner year saw the 25-year-old artist deliver a legendary b2b with RL Grime at Ultra Music Festival, command a packed Coachella set as half of ISOKNOCK, and sell-out the self-produced, two-night San Diego 4EVR festival – an event contributing to ISOKNOCK’s total of 50k tickets sold in California in 2024. These accomplishments have set the stage for 2025, where fans can now immerse themselves in the nolimit universe – an album experience that encapsulates Knock2’s unique mastery of blending festival-ready bombast with intricate, experimental production.

The nolimit LP is the culmination of this cultural revival. The album’s tracklist combines vintage progressive and electro house with Y2K pop influences, infusing those elements with boundary-pushing, hip-hop-inspired sonics. Additionally, the album’s expansive rollout has rewarded fans with an immersive, unfolding narrative and retro-futuristic visual palette. The result: a full-length, multimedia project that merges digital and real-life realities, drawing in newer dance music fans while encouraging them to experience the album at the biggest stages possible.

“nolimit is my debut album. It has so many different meanings to me. It’s a model I’ve created for myself to be the artist I want to be. An unconditional expression of my production, musical journey and care for dance music. My homage to the artists and music I grew up on, and a bridge to connect electronic music with the scenes I’m inspired by.

I wanted to channel my personal experiences as DJ and producer, from my early days as an open format DJ, to bootleg remixer, to mainstage festival performer —this project is a culmination of all of those years and highlighting those parallels.

Aside from my motives and explanation of the sonic world, I want to enable and encourage others to be authentically themselves. Anyone can embody this type of expression and belief. ‘nolimit to what we could do,’ ya kno?” – Knock2

Fans got their first taste of the nolimit universe with three anthemic singles: “feel U luv me”, “hold my hand”, and the RL Grime collaboration “come aliv3” tracks that revitalize, early 2010s electronic music aesthetics within a fully singular, contemporary context.

This sonic ethos extends across the rest of nolimit’s tracklist. On “dance or dead,” Knock2 enlists Thai pop sensation MILLI (and additional production from Taydex) for a Miami Bass banger that infuses fiery vocal deliveries with explosive hip-hop-inspired production. On “crank the bass, play the muzik” and “shake!the!city!”, Knock2 blends infectiously catchy vocals with blazing, progressive-inspired chord progressions and incendiary house beats.

The genre-blending continues with drum n’ bass on “select@” and techno/hardstyle on “shyne 4 me”, a massive collaboration between producer Holly, rapper Warren Hue, and vocalist PIAO. On “my melody,” featuring Sophia Gripari, Knock2 taps into his jungle sensibilities for an elegant, soft-spoken pop song; and on the eponymous LP closer, the artist delivers an epic conclusion with his signature melodic production seeped in a cinematic atmosphere.

The nolimit LP and accompanying visuals embody a DIY, renegade aesthetic – a stark visual style that tells the story of Dash, a character who hosts a pirate radio station in a dystopian world where loud electronic music has been outlawed.

Fans can experience this immersive, interactive world firsthand during the global ‘Knock2: nolimit TOUR,’ which kicks off in Vancouver, British Columbia in February 2025. Featuring brand new stage production titled “The Stack,” the tour will see Knock2 take center stage at acclaimed venues such as Terminal 5 in New York City, Mission Ballroom in Denver, Radius in Chicago, and many more – providing fans with a live show that reflects the bold spirit of the nolimit era.